Visual Journal, Research - BLAQK (Texture)

The work of Blaqk, the collaboration between graphics designers Greg Papagrigoriou and Chris Tzaferos (Simek), focusses on experimentation and energy, often consisting of heavy weight freeform lines full of texture and a dry brush effect, contrasting with more geometric, regimented lines of similar weight but no texture, instead a solid black. Despite being freeform and arguably loose, they are by no means random; the lines seem very thought out, in their placement on the walls and in relation to each other, as well as the shapes and forms they create, often reflecting similar forms to certain letters, taking on a typographic, calligraphic quality. They remain abstract and ambiguous whilst nodding strongly to typography and symbols, hinting at a deeper meaning or motive behind the work. The juxtaposition between the strong boldness of the cleaner lines and the textured, looser lines creates an interesting conflict within the work, there is a conversation and a relationship between the two, of which could be interpreted very uniquely by every viewer. Despite the conflict between them, there is also a kind of unison, with the textured lines overlapping and holding the regimented lines; they flow around, behind, in front of, and over them, which could be read as a taking over, or a overcoming, or a surrounding, or a more positive, constructive interaction. 

I also find it very interesting the way that the textures get more dense on the line as it overlaps with itself. The darker areas of the stroke are very powerful within the overall form and composition of the lines and could be something to play around with when I start creating my own work in response. 

The placements of the work is also a crucial part. They often paint in and on abandoned buildings and the textures of the walls morph into the textures created by their brush strokes creating even more layers of tone and tangibility. The forms created by their lines also play with the forms featured within the buildings, creating another aspect of a relationship between shapes and objects. Also the act of painting illegally on walls is inherently political, an act of rebellion, or an expression of creative destruction, or a giving of life and energy to something neglected by society. Just as work within graphic arts is apparently unavoidably political, graffiti is even more so. 

Linking to the theme of politics, this cross could be symbolic of those found on ballot papers, the two contrasting lines building it up reflecting the two opposing sides or parties. Despite perhaps an obvious, boring interpretation, it's starts to link to my theme. 

This circle form this piece creates is one of my favourite works they have made. There is something very appealing about a circle built up of different lines and other forms; they are free in form yet very contained and restricted at the same time. It is a softer piece compared to the others, which demonstrates the other formal element of shape and it's uses within visual communication.